CATALOGUES
2021
Nowhere Cley 2021 20th Anniversary Exhibition
Contributors: Amanda Geitner, Mary Crofts, Ewan Carr, Rev Richard Lawry
Published by the North Norfolk Exhibition Project
2020
Trinity Buoy Wharf Drawing Prize 2020
Edited by Anita Taylor
Published by Drawing Projects UK
ISBN: 978-1-9999936-2-7
2018
The Greater The Distance The Clearer The View Cley 18
by Caroline Fisher and Mary Crofts
Published by The North Norfolk Exhibition Project
2017
Jerwood Drawing Prize 2017
by Anita Taylor, Dr David Dibosa, Helen Legg, & Michael Simpson
Published by Jerwood Drawing Prize Project & Jerwood Charitable Trust
ISBN 978-1-908331-29-8
2016
British Invasion
Museum of Art and History Lancaster California
2016
Drawing Research, Theory, Practice Volume 1 Number 1
edited by Dr Adriana Ionascu & Doris Rohr
Eleanor Wood: Profound Subtlety by David Olivant
Published by Intellect Journals 2016
ISSN 2057-0384
2010
Salthouse 10 Landmark 2010
by Margie Britz and Andrew Schumann
Published by The North Norfolk Exhibition Project
2002
On the Edge Salthouse Church
by Amanda Geitner
Published by The North Norfolk Exhibition Project
1990
The Northern Lights
Twenty-four Artists from the North East of England
Edited by Brian Ord and Tony Knipe
1988
Arts Council Collection Acquisitions 1984-88
by Isobel Johnstone
Published by The South Bank Board 1988
ISBN 1 85332 049 8
1988
The Presence of Painting - Aspects of British Abstraction 1957-1988
1987
Cleveland Eighth International Drawing Biennale
by Judith Croft, John Berger and Catherine Lampert
Published by Cleveland County Council
ESSAYS
Jerwood Drawing Prize at Jerwood Space London 2017
REVIEWS/QUOTES
The horizontal bands that straddle each half of the vertically divided image, fail to line up at the expected junctures in the picture’s centre. The failure to align challenges what writer David Olivant aptly called "the gently insistent geometry”, explains Eleanor. “The soft-edged watercolour stain bleeding out from behind makes the central image appear to float at an implied but unmeasurable distance in front of the paper surface.”
Artlyst
UK online art information website
an artist who uses a combination of media that culminates in a poetic engagement with the formal elements that is both intricate and exquisite.
Stephanie Nebbia
Fine Art Collective Global Manager Colart
CATALOGUES
2021
Nowhere Cley 2021 20th Anniversary Exhibition
Contributors: Amanda Geitner, Mary Crofts, Ewan Carr, Rev Richard Lawry
Published by the North Norfolk Exhibition Project
2020
Trinity Buoy Wharf Drawing Prize 2020
Edited by Anita Taylor
Published by Drawing Projects UK
ISBN: 978-1-9999936-2-7
2018
The Greater The Distance The Clearer The View Cley 18
by Caroline Fisher and Mary Crofts
Published by The North Norfolk Exhibition Project
2017
Jerwood Drawing Prize 2017
by Anita Taylor, Dr David Dibosa, Helen Legg, & Michael Simpson
Published by Jerwood Drawing Prize Project & Jerwood Charitable Trust
ISBN 978-1-908331-29-8
2016
British Invasion
Museum of Art and History Lancaster California
2016
Drawing Research, Theory, Practice Volume 1 Number 1
edited by Dr Adriana Ionascu & Doris Rohr
Eleanor Wood: Profound Subtlety by David Olivant
Published by Intellect Journals 2016
ISSN 2057-0384
2010
Salthouse 10 Landmark 2010
by Margie Britz and Andrew Schumann
Published by The North Norfolk Exhibition Project
2002
On the Edge Salthouse Church
by Amanda Geitner
Published by The North Norfolk Exhibition Project
1990
The Northern Lights
Twenty-four Artists from the North East of England
Edited by Brian Ord and Tony Knipe
1988
Arts Council Collection Acquisitions 1984-88
by Isobel Johnstone
Published by The South Bank Board 1988
ISBN 1 85332 049 8
1988
The Presence of Painting - Aspects of British Abstraction 1957-1988
1987
Cleveland Eighth International Drawing Biennale
by Judith Croft, John Berger and Catherine Lampert
Published by Cleveland County Council
REVIEWS/QUOTES
The horizontal bands that straddle each half of the vertically divided image, fail to line up at the expected junctures in the picture’s centre. The failure to align challenges what writer David Olivant aptly called "the gently insistent geometry”, explains Eleanor. “The soft-edged watercolour stain bleeding out from behind makes the central image appear to float at an implied but unmeasurable distance in front of the paper surface.”
Artlyst
UK online art information website
an artist who uses a combination of media that culminates in a poetic engagement with the formal elements that is both intricate and exquisite.
Stephanie Nebbia
Fine Art Collective Global Manager Colart
Jerwood Drawing Prize at Jerwood Space London 2017
© Eleanor Wood 2021
© Eleanor Wood 2021